I only seem to get whatever was on track one. The problem is when I try to flatten the multicamera clips. I can bring the multicamera clip into a cut timeline and QW edit as you show. When I open the multicamera clip in a timeline, I see the two dual system tracks properly synced to the video clip with its audio muted. Here’s my setup:Ĭreating a multi-camera source sequence seems to work properly. I’m having difficulty getting my multicam source sequence working properly with two different dual system synced audio sources. That is because often times I need to come back to that sequence and create different versions of that video (let’s say a 1 minute square version for Instagram). I also do not flatten my multi-cam, even after color grading and transitions adding.
#Davinci resolve multicam plus
It contains all my source clips exactly in the same folder hierarchy I have made, plus a multi-cap sequence that is ready to be nested in another sequence and multi-cam enabled and be cutted using keyboard shortcuts (1,2,3,4,5). Then it gives me an xml file to be imported into Premiere CC. Few seconds and it synchronizes everything very smartly. I also drag the Final audio I have got from the audio man, and click synchronize. Then after import, while each camera was copied into ints own folder, I drag the folders to PluralEyes 4. My setup was to record from 5 cameras during a 1 hour event. I used to use Premiere CC’s built in Synchronization feature until I discovered PluralEyes 4. It seems to me PluralEyes 4 is much more accurate and faster while syncing clips from cameras from different angles.
#Davinci resolve multicam pro
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